Thursday, March 21, 2013

Two Vignettes





Initial Glances

The bookish librarian who stops in the quiet moments, hidden down an aisle, to read a snatch from a book that needs re-shelving.

The hale striding rambler whose deliberate steps can only be halted by the most striking flower, bobbing in the breeze beside the path, and whose lungs live for the crag-whipped zephyrs of buffeted bluffs.


Discerning More

The librarian does love literature as far as he can remember. But these brief moment with it are fogged by the petulance of his delinquency – and, little does he know it, his boss will never catch him. Moreover, these moments are too few and far between. The words barely register, existing only as symbols of escape from the drudgery of re-shelving. Whatever he actually reads it might as well say “I am misbehaving”. Plus, he hates his wife, – or has forgotten how to love her – has no children and spends Sundays locked alone in his study flipping through the thesaurus, occasionally shooting impatient glares at inanimate objects – ostensibly writing a novel.

The rambler does love walking. But the magnificence of the ever-sought flower beside the path is drowned in the sharp liquor of loss: his compulsion to stop, stoop and cup them in his big hands is glued to the memory of his lost daughter, whose tiny hand cherishes just such a fragile flower, lolling its weak-stemmed assent, in a photo that plagues his mind’s eye. And, though he barely knows it, the icy air is a purgative to rid his lungs of the tar that his estranged wife’s endless cigarettes left there. He walks to walk away from all this and yet he knows the flowers will recur along with the piercing memories, and no amount of ventilation can de-tar the mind.


Epilogue

Change is forever indebted to its point of departure, the changing thing indebted to what it is changing from. The poetry found in a glut of literary or ambulatory solitude is just that: poetry. Visiting someone else’s picturesque pain can feel redemptive but to actually be these fellows is no jolly poem. I shake my fist at the sky and hope for luck, and hope that I will understand what luck is and know it when I see it, and hope lastly that I will understand what it is I have written here.

Sunday, March 17, 2013

City Morning




Eyes closed, legs asleep
Mind half awake, half submerged
Thoughts move beneath lids.

As fish that wrinkle
Pond water, his waking thoughts
Nudge egg-shell eyelids

His eye eggs curtain-
Hatch in shock at bedside bleats
From the time robot.

Drone-like, slippers find
Feet find steps to breakfast.
Life shudders in bones.

Porridge in the pan,
The bubbles pop like fame scene
Camera bulb flashes.

A bird on the lawn
Twists its head to hear a worm
Creaking underfoot.

A car door slams shut
Initiating the day
To the lung of sound.

Stalactites and mites
Face a wake up brush semi
Automatically

Warm rain cubicle
Churns out soap scented fog while
Sky fire shuns street mist.

Work shoes trot equine
Clip clop on paving half-
Drowned in engine growl.

Some attempt to bus
Back to a dream, eyes drooping,
It’s a different dream:

A waking one, real,
Tiring, slow; somnolent though,
And still half unreal.

Minute and hour hand
Agree its hour nine, our time
To arrive and sit.

Thursday, March 14, 2013

Postcard from an Obscure Island




My dear, the myths are slightly different here.
You’ll think you recognise Medusa’s snarl
In the mosaic overleaf. It is in fact Majousa,
Local parallel of the better known snakes-for-hair.
The guidebook says that she,
Unlike the traditional Greek Gorgon,
Was formed inside her father’s femur
Where, marrow-warm, she swung in the pendulum
Of his restless walks for nine long months.
Then, at pained shrieks from him that bore her,
She snapped free from this uncanny loin leg,
(Less a uterus, more an egg) and all beheld a babe
With snakes for hair.

The manner of her birth had left its mark,
As those who look upon her turn to bone,
Ossified to a living ache, and bound
To starve with the hushed poise of a statue.
These victims line her boudoir
Where she pouts in consternation
How to fix this hair without a mirror
And how to keep it still?


William Kraemer © 2013